| Information | |
|---|---|
| has gloss | eng: In jazz, the Tadd Dameron turnaround, named for Tadd Dameron, is a turnaround, derived at the end of Dameron's "Lady Bird" from a series of ii-V-I progressions substituted with the backdoor progression (IV-VII7-I), in which the modulation implied in the central section, unusual for the time by major thirds, is implied in the turnaround which leads back to that section : CM Eb7 | Ab7 Db7 || rather than the more conventional: CM A7 | Dm7 G7 || |
| lexicalization | eng: Tadd Dameron turnaround |
| instance of | c/Chord progressions |
| Media | |
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| media:img | Not Tadd Dameron turnaround with resolution.png |
| media:img | Tadd Dameron turnaround with resolution.png |
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